1. Pound, Ezra. Pound/Ford: The Story of a Literary Friendship. Ed. Brita Lindberg-Seyersted. New York: New   Directions, 1982. 133-34.
  2. Pound, Ezra. Ezra Pound to His Parents – Letters 1895-1929. Eds. Mary de Rachewiltz, A. David Moody and Joanna Moody. Oxford: Oxford UP, 2011.
  3. Pound, Ezra. Ezra Pound’s Poetry and Prose. Contributions to Periodicals. Eds. Lea Baechler, A. Walton Litz and J. Longenbach. New York: Garland, 1991. 


  1. Bacigalupo, Massimo. "'And as for text we have taken it...'; Retranslationg Ezra Pound's Renaissance Cantos." Lingue e Linguaggi 14 (2015): 121-135. Free online.
  2. Hartnett, Stephen. "The Ideologies and Semiotics of Fascism: Analyzing Pound's Cantos 12-15." Boundary 2 20.1 (1993): 65-93. Print.
  3. Hofer, Matthew. “Modernist Polemic: Ezra Pound v. “the perverters of language.” Modernism/modernity 9.3 (2002): 463-489.
  4. Kibble, Matthew. “Modernism and the Daily Mail.” Literature & History 11:1 (Spring 2002): 62-80.
  5. Thacker, Andrew. "Cantos 14-15." Readings in The Cantos. Ed. Richard Parker. Clemson: Clemson UP, 2018. 145-54.



  1. Albright, Daniel. “Early Cantos I-XLI.” The Cambridge Companion to Ezra Pound. Cambridge: Cambridge UP, 1999. 77-78.
  2. Bacigalupo, Massimo. [Annotazioni: XIV-XV]. Ezra Pound XXX Cantos. A cura di Massimo Bacigalupo. Parma: Ugo Guanda, 2012. 344.
  3. Bernstein, Michael André. The Tale of the Tribe. Ezra Pound and the Modern Verse Epic. Princeton: Princeton UP, 1980. 52.
  4. Bush, Ronald. The Genesis of Ezra Pound's Cantos. Princeton: Princeton UP, 1992. 251.
  5. Casillo, Robert. The Genealogy of Demons. Anti-Semitism, Fascism and the Myths of Ezra Pound. Evanston Ill.: Northwestern UP, 1988. 160-167.
  6. Cookson, William. “XIV-XV Inferno” A Guide to the Cantos of Ezra Pound. London: Anvil, 2001. 26-27. 
  7. Durant, Alan. Ezra Pound, Identity in Crisis: A Fundamental Reassessment of the Poet and his Work. Brighton: Harvester Press, 1981. 141–51.
  8. Froula, Christine. A Guide to Ezra Pound's Selected Poems. New York: New Directions. 1983. 150-52.
  9. Gelpi, Albert. [Canto XIV]. A Coherent Splendour. The American Poetic Renaissance 1910-1950. Cambridge: Cambridge UP, 1987. 204.
  10. Hesse, Eva. "Canto XV." [Translation and glosses.] Lyrik Importe. Ein Lesebuch. Aachen: Rimbaud Verlag, 2004. 141-44.
  11. Kearns, George. Guide to Ezra Pound's Selected Cantos. New Brunswick: Rutgers, UP, 1980. 61-67.
  12. Liebregts, Peter. Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. 162-65.
  13. Makin, Peter. “Cantos XIV-XV: ‘Hell.’” In Pound’s Cantos. London: Allen & Unwin, 1985. 144-50.
  14. Moody, David A. Ezra Pound: Poet. A Portrait of the Man & His Work. Oxford: Oxford UP, 2007, 2014. I: 402-404; II:82.
  15. Nicholls, Peter. Ezra Pound: Politics, Economics and Writing. A Study of The Cantos. London: Macmillan, 1984. 32-34; 37.
  16. Rabaté, Jean Michel. Language, Sexuality and Ideology in Ezra Pound’s Cantos: London: Macmillan, 1986. 264-65. 
  17. Sicari, Stephen. "XIV-XVI."  Pound’s Epic Ambition. Dante and the Modern World. New York: SUNY Press, 1991. 36-39.
  18. Terrell, Carroll F.  “The Hell Cantos.” A Companion to The Cantos of Ezra Pound. Berkeley: California UP, 1996. 64-68.



  1. Sellar, Gord. "Blogging Pound's The Cantos: Canto XIV-XV (The Hell Cantos)." 8 May 2012. Web. 30 Oct. 2015. Free online.
  2. Wilson, R.A. [Interlinear Commentary to Canto XV]. Blog