ARTICLES IN JOURNALS

 

  1. Adams, Stephen J. "Are the Cantos a Fugue?" University of Toronto Quarterly, XLV.1 (Fall 1975): 67-74. Print.
  2. Adams, Stephen J. "The Soundscape of the Cantos: Some Ideas of Music in the Poetry of Ezra Pound." Humanities Association Review 28 (Spring 1977): 167-188. Print.
  3. Adams, Stephen J. "Musical Neofism: Pound's Theory of Harmony in Context." Mosaic XIII.2 (1979-80): 49-69. Print.
  4. Ambrus, Nicolas Z. "The White Light that is Allness: Ezra Pound's Cantos on Love." Paideuma: A Journal Devoted to Ezra Pound Scholarship 29.3 (2000): 207-15. Print.
  5. Ausubel, Jonathan. "Three Functions and some Forgery: (Mis)Uses of Visual Poetics in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 28.1 (1999): 63-87. Print.
  6. Bacigalupo, Massimo. “The Strange Text of Ezra Pound’s Cantos.” English Studies 42.1 (1999): 64-8. Print.
  7. Bacigalupo, Massimo. “America in Ezra Pound’s Posthumous Cantos.” Journal of Modern Literature 27.1 (2003): 90-104. Print.
  8. Baumann, W. "The German-Speaking World in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.3 (1992): 41-61. Print.
  9. Baumann, W. "Yeats and Ireland in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 7-27. Print.
  10. Beasley, Rebecca. "Dada's Place in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 39-64. Print.
  11. Bernstein, Michel André. “Identification and Its Vicissitudes: the Narrative Structure of Ezra Pound’s Cantos.” Yale Review 69.4 (1980): 540-56. Print.
  12. Bernstein, Michel André. “Image, Word and Sign: The Visual Arts as Evidence in Ezra Pound’s Cantos.” Critical Inquiry 12.2 (1986): 347-64.
  13. Bizzini, Chantal. "The Utopian City in the Cantos of Ezra Pound." Utopian Studies 15.1 (2004): 30-43. Print.
  14. Bruce, Elizabeth. "Empedocles's Golden Age of Aphrodite in Pound's Later Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 151-9. Print.
  15. Cantrell, Carol Helmstetter. “Obscurity, Clarity, and Simplicity in the Cantos of Ezra Pound.” Midwest Quarterly 23.4 (1982): 402-10.
  16. Capps, Kathleen. "The François Villon-Ezra Pound Connection: From the Testament to the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 205-16. Print.
  17. Casillo, Robert. "Anti-Semitism, Castration, and Usury in Ezra Pound." Criticism 25 (Summer 1983): 239-265. Print.
  18. Casillo, Robert. “The Desert and the Swamp: Enlightenment, Orientalism, and the Jews in Ezra Pound.” Modern Language Quarterly 45.3 (1984): 263-86.
  19. Cayley, John. "The Literal Image: Illustrations in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 14.2-3 (1985): 227-51. Print.
  20. Chandran, K. N. "Making Cosmos: Building/Creation in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 17.2-3 (1988): 177-89. Print.
  21. Childs, John Steven. "Larvatus Prodeo: Semiotic Aspects of the Ideogram in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 9.2 (1980): 289-307. Print.
  22. Cookson, William. "The Bilingual Cantos." Agenda 24.2 (1986): 95. Print.
  23. Dasenbrock, Reed Way. "Paradiso ma non troppo. The Place of the Lyric Dante in the Late Cantos of Ezra Pound." Comparative Literature 45.1 (2005): 45-60. Print.
  24. David, Donald. "Sicily in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 6.1 (1977): 101-7. Print.
  25. Davie, Donald. "The Cantos: Towards a Pedestrian Reading." Paideuma: A Journal Devoted to Ezra Pound Scholarship 1.1 (1972): 55-62. Print.
  26. Dickie, Margaret. “The Cantos: Slow Reading.” ELH 51.4 (1984): 819-35. Print.
  27. Dickey, R.P. "Introduction to the Esthetic and Philosophy of The Cantos." Sou'wester Fall 1970: 21-35. Print.
  28. Eisenhauer, Robert G. "'Jeweler's Company': Topaz, Half-Light, and Bounding-Lines in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 9.2 (1980): 249-70. Print.
  29. Elliott, Angela. "'Isis Kuanon': An Ascension Motif in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 13.3 (1984): 327-56. Print.
  30. Elliott, Angela. "The Word Comprehensive: Gnostic Light in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 18.3 (1989): 7-57
  31. Esh, Sylvan. "Pound, and Jakobson: The Metaphorical Principle in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 22.1-2 (1993): 129-43. Print.
  32. Fogelman, Bruce. "Beddoes in the Sea Surge, Or a Glimpse of the Cantos in 1908." Paideuma: A Journal Devoted to Ezra Pound Scholarship 16.3 (1987): 89-91. Print.
  33. Fogelman, B. "Pound's 'Cathay': A Structural Model for the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 16.1-2 (1987): 49-60. Print.
  34. Freind, Bill. "'all Wandering as the Worst of Sinning': Don Juan and the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 29.3 (2000): 111-31. Print.
  35. Gaudemar, Antoine de. "'Les Cantos' d' Ezra Pound: requiem pour un palimpseste". Liberation 12 Mai 1986: 36. Print.
  36. Goldblatt, Eli. "Gender Matters in Pound's ‘Cantos’." Journal of Modern Literature 15.1 (1988): 35-53. Print.
  37. Gross, Harvey. "Pound's Cantos and the Idea of History." Bucknell Review 1968/9: 14-31.
  38. Hatcher, Leslie and Hugh Witemeyer. “Lord Palmerston as Factive Hero in The Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 225-33. Print.
  39. Hatcher, Leslie. "'Circe's this Craft': The Active Female Principle in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 24.1 (1995): 83-94. Print.
  40. Hatlen, Burt. "Pound's Cantos and the Epic Mode in American Poetry, 1915-1931." Paideuma: Studies in American and British Modernist Poetry 34.2-3 (2005): 231-70. Print.
  41. Jin, Songping. "Observation of Natural Scenes: Ta Hsüeh and Pound's Later Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 23.2-3 (1994): 7-44. Print.
  42. Jones, Chris. "One a Bird Bore Off: Anglo-Saxon and the Elegaic in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 91-8. Print.
  43. Kappel, Andrew J. "Napoleon and Talleyrand in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 11.1 (1982): 55-78. Print. 
  44. Kappel, A. J. “The Reading and Writing of a Modern Paradiso: Ezra Pound and the Books of Paradise.” Twentieth Century Literature 27.3 (1981): 223-246. 
  45. Kelly, John. "A Dweller by Streams and Woodland: The Influence of Emanuel Swedenborg in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 27.1 (1998): 55-78. Print.
  46. Kenner, Hugh. “Self-Similarity, Fractals, Cantos.” ELH 55.3 (1988): 721-30. Print.
  47. Kimpel, Ben D., and T. C. Duncan Eaves. “‘Major Form’ in Pound's ‘Cantos’." The Iowa Review 15.2 (1985): 51-66. Print.
  48. Kimpel, Ben D., and T. C. Duncan Eaves. "Some Curious ‘Facts’ in Ezra Pound's Cantos." ELH 50.3 (1983): 627-635. Print.
  49. Kohli, Raj K. "'Epic of the West' Some Observations on American History and the Cantos." Indian Journal of American Studies II.2 (1972): 40-54. Print.
  50. Lauber, John. "Pound's Cantos: A Fascist Epic." Journal of American Studies 12 1 (1978): 3-21.
  51. Lewis, E. "Imagist Technique in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 28.1 (1999): 113-31. Print.
  52. Lian, Yang. "'in the Timeless Air': Chinese Language, Pound and the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 101-5. Print.
  53. Loh, Aaron. "Decoding the Ideogram: The Chinese Written Character in the Cantos of Ezra Pound." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.1-2 (2001): 133-50. Print.
  54. Marsh, A. "Letting the Black Cat Out of the Bag: A Rejected Instance of 'American-Africanism' in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 29.1-2 (2000): 125-42. Print.
  55. Marsh, A. "Thaddeus Coleman Pound's 'Newspaper Scrapbook' as a Source for the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 24.2-3 (1995): 163-93. Print.
  56. McDowell, Colin. "'as Towards a Bridge Over Worlds': The Way of the Soul in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 13.2 (1984): 171-200. Print.
  57. McGann, Jerome J. "The "Cantos" of Ezra Pound, the Truth in Contradiction." Critical Inquiry 15.1 (1988): 1-25. Print.
  58. McNaughton, William. "A Note on Main Form in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 6 (1977): 147-52. Print.
  59. Mikriammos, Philippe. "Cantos, Traduction: Les Mésaventures De l'Original." Paideuma: A Journal Devoted to Ezra Pound Scholarship 13.3 (1984): 445-52. Print.
  60. Miller, Tyrus. "Pound's Economic Ideal: Silvio Gesell and the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.1-2 (1990): 169-80. Print.
  61. Moody, David A. "Directio Voluntatis: Pound's Economics in the Economy of the Cantos." Paideuma: Studies in American and British Modernist Poetry 32.1-3 (2003): 187-203. Print.
  62. Moody, David A. “‘They dug him up out of sepulture': Pound, Erigena and Fiorentino.” Paideuma:A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 241-7.
  63. Murray, David. “A Reply to John Lauber’s ‘Pound’s Cantos: a Fascist Epic.” Journal of American Studies 13.1 (1979): 109-113.
  64. Myers, Morgan. "Ezra Pound Me Fecit: Memorial Object and Autonomous Poem in the Cantos." Paideuma: Studies in American and British Modernist Poetry 35.3 (2006): 67-92. Print.
  65. Nadel, Ira B. "The Cantos of Ezra Pound...A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October - 22 December 1989." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 221-34. Print.
  66. North, Michael. “Towers and the Visual Map of Pound’s Cantos.” Contemporary Literature 27.1 (1986): 17-31. Print.
  67. Pearlman, Daniel D. "The Blue-Eyed Eel. Dame Fortune in Pound's Later Cantos." Agenda 9.4-10.1 (1971-1972): 60-71. Print.
  68. Peck, John. "Landscape and Ceremony in the later Cantos." Agenda 9.2-3 (1971): 26-69. Print.
  69. Péti, Miklós. "Usura Alone Not Understood? A Rhetorical Consideration of 'Usura' in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 3-22. Print.
  70. Pevear, Richard. "Notes on the Cantos of Ezra Pound." The Hudson Review 25 (1973): 51-70. Print.
  71. Pryor, Sean. "Particularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos." Paideuma: Studies in American and British Modernist Poetry 36 (2007): 27-45. Print.
  72. Quinn, Bernetta. "The Moon-Goddess in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 5.1 (1976): 61-2. Print.
  73. Rachewiltz, Mary de. "Translating the Cantos." Michigan Quarterly Review 26.3 (Summer 1987): 524-534. Print.
  74. Rainey, Lawrence S. "A Poem Including History: The Cantos of Ezra Pound." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 199-220. Print.
  75. Rosenow, C. "'High Civilization': The Role of Noh Drama in Ezra Pound's Cantos." Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 48.3 (2012): 227-44. Print.
  76. Rudolph, Donna C. "Formulas for Paradise in Six Cantos of Ezra Pound." Paideuma: A Journal Devoted to Ezra Pound Scholarship 20.1-2 (1991): 129-40. Print.
  77. Sawler, Trevor. "Vis Naturae: The Nature of Nature in Selected Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 28.2-3 (1999): 109-32. Print.
  78. Scott, Peter Dale. "Anger in Paradise: The Poetic Voicing of Disorder in Pound's Later Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.3 (1990): 47-63. Print.
  79. Scott, Peter Dale. "Pound in 'the Waste Land,' Eliot in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.3 (1990): 99-114. Print.
  80. Rosenthal, M.L. "The Structuring of Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 6 (1977): 3-11. Print.
  81. Sieburth, Richard. "The Design of The Cantos: an Introduction." Iowa Review 15.2  (1985): 12-33. Print.
  82. Sutton, Walter. "Coherence in Pound's Cantos and William James's Pluralistic Universe." Paideuma: A Journal Devoted to Ezra Pound Scholarship 15.1 (1986): 7-21. Print.
  83. Taylor, Richard. "Editing the Variorum Cantos: Process and Policy." Paideuma: A Journal Devoted to Ezra Pound Scholarship 31.1-3 (2002): 311-34. Print.
  84. Tryphonopoulos, Demetres P. "The Cantos as Palingenesis." Paideuma: A Journal Devoted to Ezra Pound Scholarship 18.1-2 (1989): 7-33. Print.
  85.  Tryphonopoulos, Demetres P. "'With Usura Hath no Man a House of Good Stone': An Interview with Leon Surette." English Studies in Canada 31 (2005): 273-91. Print.
  86. Witemeyer, Hugh. "Pound and the Cantos: 'Ply Over Ply'." Paideuma: A Journal Devoted to Ezra Pound Scholarship 8.2 (1979): 229-35. Print.
  87. Yee, Cordell. “Discourse on Ideogrammic Method: Epistemology and Pound’s Poetics.” American Literature 59.2(1987): 242-56.


Cantos in periodicals