ARTICLES IN COLLECTIONS

BOOK CHAPTERS AND SECTIONS

 

 

  1. Alexander, Michael. “On Rereading The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 68-74.
  2. Bacigalupo, Massimo. “‘Safe With My Lynxes’: Pound’s Figure in the Carpet.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 111-120.
  3. Bacigalupo, Massimo. “The Cantos. Introduction.” The Ezra Pound Encyclopedia. Eds. D. Tryphonopoulos and Stephen J. Adams. Westport, CT.: Greenwood Press, 2005. 24-25.
  4. Bagicalupo, Massimo. “The Cantos: Posthumous Cantos.The Ezra Pound Encyclopedia. Eds. D. Tryphonopoulos and Stephen J. Adams. Westport, CT.: Greenwood Press, 2005. 49-51.
  5. Baumann, Walter. “‘… and Elsie/Blackeyed Bitch’: Aviation Pioneers in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.
  6. Baumann, Walter. “‘Perennial War’ in The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 75-84.
  7. Baumann, Walter. “Ezra Pound and Magic. Old World Tricks in a New World Poem.”  Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 27-42.
  8. Baumann, Walter. “The German-Speaking World in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.
  9. Baumann, Walter. “The Odysseus Theme in Ezra Pound’s Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.
  10. Baumann, Walter. “Yeats and Ireland in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 191-210.
  11. Bell, Ian F. A., "Ezra Pound and the Materiality of the Fourth Dimension.” Science in Modern Poetry: New Directions. Eds. John Holmes and Bruce Clarke. Liverpool: Liverpool UP, 2012. 130-148. Print.
  12. Bernstein, Charles. “History and Textuality in Ezra Pound’s Cantos.” Ezra Pound and History. Ed. Marianne Korn. Orono: NPF, 1985. 15-22.
  13. Bunting, Basil. “Pound’s Cantos.” Basil Bunting on Poetry. Ed. Peter Makin. Baltimore: Johns Hopkins UP, 1999. 134-150.
  14. Bush, Ronald. “The Later Cantos.” The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge: Cambridge UP, 1999. 109-38. Print.
  15. Cook, Albert. “Rhythm and Person in The Cantos” New Approaches to Ezra Pound. Ed. E. Hesse. London: Faber, 1969. 349-364.
  16. Comens, Bruce. Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky. Tuscaloosa: U of Alabama Press, 1995. [2. Pound's War: The Great War and the Enemy; Image and Millennium; The Cantos: History and Apocalypse; The Cantos: Contradictions of War; Paradise Postponed; Afterwords and Deferral].

  17. Dasenbrock, Reed Way. “Why the Commedia Is Not the Model for The Cantos and What Is.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 81-92.
  18. Dekker, George. “Myth and Metamorphosis: Two Aspects of Myth in The Cantos.New Approaches to Ezra Pound. Ed. E. Hesse. London: Faber, 1969. 280-302.
  19. Dekker, George. “Time and Tradition in The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 90-105.
  20. Gelpi, Albert. “Between Kung and Eleusis.” A Coherent Splendor. The American Poetic renaissance, 1910-1950. Cambridge: Cambridge UP, 1990. 169-252.
  21. Gildersleeve, Britton. “‘Enigma’ at the Heart of Paradise: Buddhism, Kuanon, and the Feminine Ideogram in The Cantos.”  Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 193-212.
  22. Halperen, Max. “How to Read a Canto.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 7-20.
  23. Henderson, Archie. “New Appendix: References to The Cantos.” “I Cease Not to Yowl” Reannotated. New Notes on the Pound/Agresti Correspondence. 2nd ed. Houston: 2009. 587-598.
  24. Hughes, Robert. "Some observations on Music in The Cantos." Pound Ezra. Le Testament. 1923 Facsimile Edition.  Eds. Margaret Fisher and Robert Hughes.  Emeryville: Second Evening Publishing, 2011. 204-211. Print.
  25. Juhasz, Suzanne. "Metaphor in The Cantos of Ezra Pound." Metaphor and the Poetry of Williams, Pound, and Stevens. Cranbury: Associated University Presses, 1974. 75-131. Print. 
  26. Kayman Michael A. “‘And…’ Reading The Cantos.” The Modernism of Ezra Pound. The Science of Poetry. London: Macmillan, 1986. 110-137. Print.
  27. Kenner, H. Leucothea’s Bikini: Mimetic Homage The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 21-31
  28. Kenner, Hugh. “Inventing Confucius.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 165-180.
  29. Kenner, Hugh. The Poetry of Ezra Pound. London: Faber, 1951. 185-306.
  30. Knapp, James, F. [“The Cantos.”] Ezra Pound. Boston: G.K. Hall, 1979. 118-162.
  31. Liebregts, Peter. “The Cantos and Neoplatonism: General Introduction.” Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. 97-115.
  32. Makin, Peter. “History and Money, Fact and Hysteria.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 93-110.
  33. Makin, Peter. Ideogram, “Right Naming” and the Authoritarian Streak. Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 120-142.
  34. Mancuso, Girolamo. “The Ideogrammic Method in The Cantos.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 65-80.
  35. Marsh, Alec. Ezra Pound. London: Reaktion, 2011. 86-98.
  36. Moody, David A. “The Cantos of Ezra Pound. ‘To Build Light.’” Platonism and the English Imagination. Ed. Anna Baldwin and Sarah Hutton. Cambridge: Cambridge UP, 1994. 308-18. Print.
  37. Morrison, Paul. [“The Cantos.”] The Poetics of Fascism. Ezra Pound, T.S. Eliot and Paul de Man. Oxford: Oxford UP, 1996. 16-59.
  38. Mottram, Eric. “Ezra Pound in His Time.” Ezra Pound and America. Ed. J. Kaye. London: Macmillan, 1992. 93-113.
  39. Perloff, Marjorie. 1981. “‘No Edges, No Convexities’: Ezra Pound and the Circle of Fragments.” The Poetics of Indeterminacy. Rimbaud to Cage. Evanston: Northwestern UP, 1999. 155-199.
  40. Pestell, Alex. "'INCORPORATE/& in One Body': Ezra Pound's Selected Cantos.” Selected Poems: From Modernism to Now. Eds. Hélène Aji and Jennifer Kilgore-Caradec. Newcastle upon Tyne: Cambridge Scholars, 2012. 41-52. Print.
  41. Pound, Ezra. [Plan of The Cantos]. Dante e Pound. Ed. Maria Luisa Ardizzone. Ravenna: Longo Editore, 1995. 229-230.
  42. Preda, Roxana. “Between Cubism and Postmodernism. The Cantos as Collage.” Ezra Pound’s (Post)Modern Poetics and Politics. New York: Peter Lang, 2001. 117-138.
  43. Preda, Roxana. “The Bank as Figure: an Archaeology of the Historical Discourse in The Cantos.” Ezra Pound’s (Post)Modern Poetics and Politics. New York: Peter Lang, 2001. 249-267.
  44. Qian, Zhaoming. [“Dao in The Cantos.”] The Modernist Response to Chinese Art. Pound, Moore, Stevens. Charlottesville: University of Virginia Press, 2003. 79-80.
  45. Rehder, Robert. "The End of the Cantos.” Ezra Pound, Ends and Beginnings: Essays and Poems. Eds. John Gery and William Pratt. New York: AMS, 2011.
  46. Rehder, Robert. The Cantos: Language of Sensation and Metaphors of Identity.  Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 210-220. Print.
  47. Robinson, Peter. “Ezra Pound and Italian Art.” Pound’s Artists. Ezra Pound and the Visual Arts in London, Paris and Italy. London: Tate Gallery Publications, 1985. 121-176.
  48. Taylor, Richard Dean. “Reconstructing Ezra Pound’s Cantos: Variorum edition – Manuscript Archive – Reading Text.” Ezra Pound and America. Ed. J. Kaye. London: Macmillan, 1992. 132-148.
  49. Taylor, Richard. “Towards a Reading Text of The Cantos. Ezra Pound and Poetic Influence. Ed. Helen Dennis. Amsterdam: Rodopi, 2000. 200-211.
  50. Taylor, Richard D. “The History and State of the Texts.” A Poem Including History, The Text of The Cantos. Ed. Lawrence Rainey. Ann Arbor, MI: University of Michigan Press, 1997. 235-265. Revised in The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge, Cambridge UP, 1999. 161-187.
  51. Taylor, Richard D. “The Text of The Cantos.” The Cambridge Companion to Ezra Pound. Ed. Ira B. Nadel. Cambridge: Cambridge UP, 1999. 161-187.
  52. Taylor, Richard. “Towards A Textual Biography of The Cantos.” Modernist Writers and the Market Place. Ed. Warren Chernaik. London: Macmillan, 1996. 223-257.
  53. Ten Eyck, David. "Evaluating the Status of Ezra Pound's Selected Cantos. Selected Poems: From Modernism to Now. Eds. Hélène Aji and Jennifer Kilgore-Caradec. Newcastle upon Tyne: Cambridge Scholars, 2012. 23-40. Print.  
  54. Tryphonopoulos, Demetres. “Pound Reading Dante ‘Reading’ Homer: The Survival of the Palingenetic Tradition in Ezra Pound’s The Cantos.” Dante e Pound. Ed. Maria Luisa Ardizzone. Ravenna: Longo Editore, 1995. 87-100.

 

 

Cantos in periodicals