General Bibliography to The Cantos of Ezra Pound

 

BOOKS

 

 

1933 [Pound, Ezra] The Cantos of Ezra Pound. Some Testimonies by Ernest Hemingway, Ford Madox Ford, T. S. Eliot, Hugh Walpole, Archibald MacLeish, James Joyce and Others. 8vo, original self-wrappers, stapled. N. Y.: Farrar & Rinehart, Inc., (1933). First edition. Among the other contributions, unnamed on the title-page, are William Carlos Williams, Edmund Wilson, Basil Bunting, H. D., and Allen Tate.

1949 Russell Peter. The Pisan Cantos of Ezra Pound. Changing World.

1951 Kenner, Hugh. The Poetry of Ezra Pound. London: Faber.

1952 Watts, Harold Holliday. Ezra Pound and The Cantos. New York: Routlege.        

1954 Leary, Lewis. Motive and Method in the Cantos of Ezra Pound. New York: Columbia UP.

1957 Edwards, John Hamilton and William Wood Vasse. Annotated Index to the Cantos of Ezra Pound. Berkeley and Los Angeles: University of California Press (Cantos 1-84).

1958 Emery, Clark Mixon. Ideas Into Action: A Study of Pound’s Cantos. Miami: U of Miami P.

1963 Dekker, George. Sailing after Knowledge: the Cantos of Ezra Pound. London: Routledge.

1963 Zukofsky, Louis. Ezra Pound: His Cantos (1-27). New York: Kulchur Press.

1964 Clark, Thomas. The Formal Structure of Pound’s Cantos. S.n.

1967 Stock, Noel. Reading the Cantos: A Study of Meaning in Ezra Pound. London: Routledge.

1969 MacLeish, Archibald. Poetry and opinion: The Pisan Cantos of Ezra Pound. A Dialog on the Role of Poetry. S.n.

1969 Pearlman, Daniel D. The Barb of Time: On the Unity of Ezra Pound’s Cantos. Oxford: Oxford UP.

1970 Baumann, Walter. The Rose in the Steel Dust: An Examination of the Cantos of Ezra Pound. Miami: U of Miami P.

1970 Contino, Vittorugo. Ezra Pound in Italy,  from the Pisan Cantos. Spots and Dots. Venezia: Ivancich.

1971 Brooke-Rose Christine. A ZBC of Ezra Pound. London: Faber & Faber.

1971 Miyake, Akiko. A Thematic and Structural Unity in Ezra Pound’s Eleven New Cantos. American Literature Society of Japan.

1971 Hénault, Marie, ed. The Merrill Studies in The Cantos. Columbus, OH: Ch. Merrill Publishing Company.

1974 Wilhelm, J. J. Dante and Pound: The Epic of Judgement. Orono: U. of Maine P.

1975 Sanders, F. K. John Adams Speaking: Pound’s Sources for the Adams Cantos. U of Maine P.

1975 Nassar, Eugene Paul. The Cantos of Ezra Pound: the Lyric Mode. Baltimore: Johns Hopkins UP.

1976 Brooke-Rose Christine. Structural Analysis of Pound’s Usura Canto: Jakobson’s Method Extended. Berlin: Mouton DeGruyter.

1976 Hood, Joseph S. Leaning toward Zen: A Study of Harmony and Disharmony in the Cantos of Ezra Pound. S.n. 

1976 Bush Ron. The Genesis of Ezra Pound’s Cantos. Princeton: Princeton UP.

1977 Wilhelm, James J. The Later Cantos of Ezra Pound. New York: Walker.

1979 Eastman, Barbara and Hugh Kenner. Ezra Pound’s Cantos: the Story of the Text, 1948-1975. Maine: National Poetry Foundation.

1979 Surette, Leon. A Light from Eleusis: Study of Ezra Pound’s Cantos. Oxford: Oxford UP.

1980 Bacigalupo, Massimo. The Forméd Trace. The Later Poetry of Ezra Pound. New York: Columbia UP.

1980 Durant, E. Ezra Pound, Identity in Crisis: a Study of Writing in The Cantos. Cambridge: Cambridge UP.

1980 Flory, Wendy. Ezra Pound and the Cantos. A Record of Struggle. New Haven: Yale UP.

1980 Kearns, George. Guide to Ezra Pound’s “Selected Cantos.” Folkestone: Dawson Publishing.

1980 Terrell, Carroll. A Companion to the Cantos of Ezra Pound. Berkeley: U of California P vol.I.

1980 Woodward, Anthony. Ezra Pound and the Pisan Cantos. Lawbook Co of Australasia.

1981 Dilligan Robert J. Concordance to Ezra Pound Cantos. New York: Garland.

1981 Read, Forrest. ’76: One World and the Cantos of Ezra Pound. Chapel Hill: University of North Carolina Press.

1982 Kimpel, Ben D. Pound’s Research for the Malatesta Cantos. Orono: U of Maine.

1983 Culver, Michael. The Art of Henry Strater: An examination of the Illustrations for Pound’s A Draft of XVI Cantos. Orono: U of Maine. 

1983 Davenport, Guy. Cities on Hills: Study 1-30 of Ezra Pound’s Cantos. Epping: Bowker (UMI 1984).

1983 D’Epiro, Peter. Touch of Rhetoric: Ezra Pound’s Malatesta Cantos. Ann Arbor: UMI Research P.

1983 Driscoll, John. The “China Cantos” of Ezra Pound. Stockholm: Almqvist and Wicksell.

1983 Nolde, John J. Blossoms from the East: The China Cantos of Ezra Pound. Orono: National Poetry Foundation.

1984 Davis, Kay. Fugue and Fresco: Structures in Pound’s Cantos. Orono: National Poetry Foundation.

1984 Nicholls, Peter. Ezra Pound: Politics, Economics and Writing – A Study of The Cantos. London: Palgrave.

1985 Cookson, William. A Reader’s Guide to the Cantos of Ezra Pound. New York: Croom Helm.

1985 Froula, Chrstine. To Write Paradise: Style and Error in Pound’s Cantos. New Haven: Yale UP.

1985 Makin, Peter. Pound’s Cantos. New York: Harper-Collins.

1986 Rabaté, Jean-Michel. Language, Sexuality and Ideology in Ezra Pound’s “Cantos.” London: Palgrave.

1987 Furia, Phillip. Pound’s Cantos Declassified. Philadelphia: Pennsylvania State UP.

1988 Bell, Terence Anthony. The Hero Polumetis: a New Interpretation of The Cantos of Ezra Pound. Oxford: Oxford UP.

1988 Singh, Gurbhagat. Transcultural Poetics: Comparative Studies of Ezra Pound’s Cantos and Guru Gobind Singh’s Bachittra Natak. Blaby: Advent Books.

1989 Kearns, George. Ezra Pound: The Cantos. Cambridge: Cambridge UP.

1991 Miyake, Akiko. Ezra Pound and the Mysteries of Love: A Plan for The Cantos. Durham, NC: Duke UP.

1991 Rainey, Lawrence. Ezra Pound and the Monument of Culture: Text, History and the Malatesta Cantos. Chicago: Chicago UP.

1991 Sicari, Stephen. Pound’s Epic Ambition: Dante and the Modern World. State U of New York P.

1991 Taylor, Richard. Variorum Edition of ‘Three Cantos’ by Ezra Pound: A Prototype. Bayreuth: Boomerang Press.

1992 Tryphonopoulos, Demetres. The Celestial Tradition: A Study of Ezra Pound’s “The Cantos.” Waterloo, ON: Wilfrid Laurier University Press.

1995 Brint, Terri Joseph. Ezra Pound’s Epic Variations: the Cantos & Major Long Poems. Orono: National Poetry Foundation.

1995 John, Roland. A Beginner’s Guide to the Cantos of Ezra Pound. Poetry Salzburg.

1995 Stoicheff, Peter. The Hall of Mirrors: “Drafts and Fragments” and the End of Ezra Pound’s Cantos. Ann Arbor: U of Michigan P.

1996 Gibson, Mary Ellis. Epic Reinvented: Ezra Pound and the Victorians. Ithaca: Cornell UP.

1997 Rainey, Lawrence, ed. A Poem Containing History: Textual Studies in The Cantos. Ann Arbor: U of Michigan P.

1997 Shioji, Ursula. Ezra Pound’s Pisan Cantos and the Noh. Frankfurt: Peter Lang.

2000 Baumann, Walter. Roses from the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation.

2004 Liebregts, Peter. Ezra Pound and Neoplatonism. Madison, NJ: Fairleigh-Dickinson University Press, 2004.

2005 Barnhisel, Gregory. James Laughlin, New Directions Press and the Remaking of Ezra Pound. Amherst and Boston: U of Massachusetts P.

2005 Malm, Mike. Editing Economic History: Ezra Pound’s The Fifth Decad of Cantos. New York: Peter Lang.

2006 Makin Peter, ed. Ezra Pound’s Cantos: A Casebook. Oxford: Oxford: Oxford UP.

2006 Selby, Nick. Poetics of Loss in the Cantos of Ezra Pound: From Modernism to Fascism. Lampeter: Edwin Mellen Press.

2007 Henriksen, Line. Ambition and Anxiety: Ezra Pound’s ‘Cantos’ and Derek Walkott’s ‘Omeros’ as Twentieth-Century Epics. Amsterdam: Rodopi.

2010 Farahbakhsh, Alireza and Zeinab Heidary Moghaddam. Dominant Themes in Ezra Pound’s 1930s and 1940s Cantos (Cantos XXXI-LXXXIV). Lambert Academic Publishing.

2012 Ten Eyck, David. Ezra Pound’s Adams Cantos (Historicizing Modernism). London: Bloomsbury.

 

 


 

 

DISSERTATIONS

 

 

1959 Halperen, Max. A Structural Reading of The Cantos. University Microfilms International. (Florida State University dissertation).

1961 Davenport Guy. A Reading of I-XXX of the Cantos of Ezra Pound. Harvard thesis.

1963 Heffernan, T. C. City of Universals: Siena in the Cantos of Ezra Pound. (Thesis at Manchester U).

1973 Murray David J. The Treatment of History, Politics and Economics in the Cantos of Ezra Pound and the Maximus Poem of Charles Olson. London: King’s College. PhD thesis.

1978 Freudenheim, R. J. Ezra Pound: Canto 85. Dissertation Abstracts International. Print.

1981 Crisp, P. G. Time Past and Present, and Its Transcendence in the Cantos of Ezra Pound. Thesis. University of Reading.

1985 Beebe, Alice Deming. Canto 91 by Ezra Pound: So Hath Sibile A Boken Isette. Dissertation Abstracts International. Print. 

1990 Hilmy, H. Dionysus in the Cantos of Ezra Pound. Thesis. University of Essex.

1991 Bennett, Peter. The Thematic Centrality of ‘America’ in the First Fifty One of The cantos of Ezra Pound: an Exposition of the Poem’s Unity and Purpose from the Evidence on the Page. Thesis. University of Essex.

1992 de Sousa, Irene Ferreira. Pound's Sumbainai: Coherence and Incoherence in The Cantos. Dissertation Abstracts International.

1992 Krishnan, Rajiv C. Self and Form in the early Cantos of Ezra Pound. Thesis. University of Cambridge.

1997 Marsden, Stephen. Barred lights, great flares, new form: A Study of a Draft of XXX Cantos of Ezra Pound. Thesis. University of Manchester.

1999 Carroll, Zoe. Content as Technique: Ezra Pound and the Problem of Encyclopaedic Form. Thesis. University of Oxford.

 

 


 

 

ARTICLES IN JOURNALS

 

  1. Adams, Stephen J. "Are the Cantos a Fugue?" University of Toronto Quarterly, XLV.1 (Fall 1975): 67-74. Print.
  2. Adams, Stephen J. "The Soundscape of the Cantos: Some Ideas of Music in the Poetry of Ezra Pound." Humanities Association Review 28 (Spring 1977): 167-188. Print.
  3. Adams, Stephen J. "Musical Neofism: Pound's Theory of Harmony in Context." Mosaic XIII.2 (1979-80): 49-69. Print.
  4. Ambrus, Nicolas Z. "The White Light that is Allness: Ezra Pound's Cantos on Love." Paideuma: A Journal Devoted to Ezra Pound Scholarship 29.3 (2000): 207-15. Print.
  5. Ausubel, Jonathan. "Three Functions and some Forgery: (Mis)Uses of Visual Poetics in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 28.1 (1999): 63-87. Print.
  6. Bacigalupo, Massimo. “The Strange Text of Ezra Pound’s Cantos.” English Studies 42.1 (1999): 64-8. Print.
  7. Bacigalupo, Massimo. “America in Ezra Pound’s Posthumous Cantos.” Journal of Modern Literature 27.1 (2003): 90-104. Print.
  8. Baumann, W. "The German-Speaking World in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.3 (1992): 41-61. Print.
  9. Baumann, W. "Yeats and Ireland in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 7-27. Print.
  10. Beasley, Rebecca. "Dada's Place in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 39-64. Print.
  11. Bernstein, Michel André. “Identification and Its Vicissitudes: the Narrative Structure of Ezra Pound’s Cantos.” Yale Review 69.4 (1980): 540-56. Print.
  12. Bernstein, Michel André. “Image, Word and Sign: The Visual Arts as Evidence in Ezra Pound’s Cantos.” Critical Inquiry 12.2 (1986): 347-64.
  13. Bizzini, Chantal. "The Utopian City in the Cantos of Ezra Pound." Utopian Studies 15.1 (2004): 30-43. Print.
  14. Bruce, Elizabeth. "Empedocles's Golden Age of Aphrodite in Pound's Later Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 151-9. Print.
  15. Cantrell, Carol Helmstetter. “Obscurity, Clarity, and Simplicity in the Cantos of Ezra Pound.” Midwest Quarterly 23.4 (1982): 402-10.
  16. Capps, Kathleen. "The François Villon-Ezra Pound Connection: From the Testament to the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 205-16. Print.
  17. Casillo, Robert. "Anti-Semitism, Castration, and Usury in Ezra Pound." Criticism 25 (Summer 1983): 239-265. Print.
  18. Casillo, Robert. “The Desert and the Swamp: Enlightenment, Orientalism, and the Jews in Ezra Pound.” Modern Language Quarterly 45.3 (1984): 263-86.
  19. Cayley, John. "The Literal Image: Illustrations in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 14.2-3 (1985): 227-51. Print.
  20. Chandran, K. N. "Making Cosmos: Building/Creation in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 17.2-3 (1988): 177-89. Print.
  21. Childs, John Steven. "Larvatus Prodeo: Semiotic Aspects of the Ideogram in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 9.2 (1980): 289-307. Print.
  22. Cookson, William. "The Bilingual Cantos." Agenda 24.2 (1986): 95. Print.
  23. Dasenbrock, Reed Way. "Paradiso ma non troppo. The Place of the Lyric Dante in the Late Cantos of Ezra Pound." Comparative Literature 45.1 (2005): 45-60. Print.
  24. David, Donald. "Sicily in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 6.1 (1977): 101-7. Print.
  25. Davie, Donald. "The Cantos: Towards a Pedestrian Reading." Paideuma: A Journal Devoted to Ezra Pound Scholarship 1.1 (1972): 55-62. Print.
  26. Dickie, Margaret. “The Cantos: Slow Reading.” ELH 51.4 (1984): 819-35. Print.
  27. Dickey, R.P. "Introduction to the Esthetic and Philosophy of The Cantos." Sou'wester Fall 1970: 21-35. Print.
  28. Eisenhauer, Robert G. "'Jeweler's Company': Topaz, Half-Light, and Bounding-Lines in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 9.2 (1980): 249-70. Print.
  29. Elliott, Angela. "'Isis Kuanon': An Ascension Motif in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 13.3 (1984): 327-56. Print.
  30. Elliott, Angela. "The Word Comprehensive: Gnostic Light in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 18.3 (1989): 7-57
  31. Esh, Sylvan. "Pound, and Jakobson: The Metaphorical Principle in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 22.1-2 (1993): 129-43. Print.
  32. Fogelman, Bruce. "Beddoes in the Sea Surge, Or a Glimpse of the Cantos in 1908." Paideuma: A Journal Devoted to Ezra Pound Scholarship 16.3 (1987): 89-91. Print.
  33. Fogelman, B. "Pound's 'Cathay': A Structural Model for the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 16.1-2 (1987): 49-60. Print.
  34. Freind, Bill. "'all Wandering as the Worst of Sinning': Don Juan and the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 29.3 (2000): 111-31. Print.
  35. Gaudemar, Antoine de. "'Les Cantos' d' Ezra Pound: requiem pour un palimpseste". Liberation 12 Mai 1986: 36. Print.
  36. Goldblatt, Eli. "Gender Matters in Pound's ‘Cantos’." Journal of Modern Literature 15.1 (1988): 35-53. Print.
  37. Gross, Harvey. "Pound's Cantos and the Idea of History." Bucknell Review 1968/9: 14-31.
  38. Hatcher, Leslie and Hugh Witemeyer. “Lord Palmerston as Factive Hero in The Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 225-33. Print.
  39. Hatcher, Leslie. "'Circe's this Craft': The Active Female Principle in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 24.1 (1995): 83-94. Print.
  40. Hatlen, Burt. "Pound's Cantos and the Epic Mode in American Poetry, 1915-1931." Paideuma: Studies in American and British Modernist Poetry 34.2-3 (2005): 231-70. Print.
  41. Jin, Songping. "Observation of Natural Scenes: Ta Hsüeh and Pound's Later Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 23.2-3 (1994): 7-44. Print.
  42. Jones, Chris. "One a Bird Bore Off: Anglo-Saxon and the Elegaic in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 91-8. Print.
  43. Kappel, Andrew J. "Napoleon and Talleyrand in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 11.1 (1982): 55-78. Print. 
  44. Kappel, A. J. “The Reading and Writing of a Modern Paradiso: Ezra Pound and the Books of Paradise.” Twentieth Century Literature 27.3 (1981): 223-246. 
  45. Kelly, John. "A Dweller by Streams and Woodland: The Influence of Emanuel Swedenborg in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 27.1 (1998): 55-78. Print.
  46. Kenner, Hugh. “Self-Similarity, Fractals, Cantos.” ELH 55.3 (1988): 721-30. Print.
  47. Kimpel, Ben D., and T. C. Duncan Eaves. “‘Major Form’ in Pound's ‘Cantos’." The Iowa Review 15.2 (1985): 51-66. Print.
  48. Kimpel, Ben D., and T. C. Duncan Eaves. "Some Curious ‘Facts’ in Ezra Pound's Cantos." ELH 50.3 (1983): 627-635. Print.
  49. Kohli, Raj K. "'Epic of the West' Some Observations on American History and the Cantos." Indian Journal of American Studies II.2 (1972): 40-54. Print.
  50. Lauber, John. "Pound's Cantos: A Fascist Epic." Journal of American Studies 12 1 (1978): 3-21.
  51. Lewis, E. "Imagist Technique in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 28.1 (1999): 113-31. Print.
  52. Lian, Yang. "'in the Timeless Air': Chinese Language, Pound and the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 101-5. Print.
  53. Loh, Aaron. "Decoding the Ideogram: The Chinese Written Character in the Cantos of Ezra Pound." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.1-2 (2001): 133-50. Print.
  54. Marsh, A. "Letting the Black Cat Out of the Bag: A Rejected Instance of 'American-Africanism' in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 29.1-2 (2000): 125-42. Print.
  55. Marsh, A. "Thaddeus Coleman Pound's 'Newspaper Scrapbook' as a Source for the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 24.2-3 (1995): 163-93. Print.
  56. McDowell, Colin. "'as Towards a Bridge Over Worlds': The Way of the Soul in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 13.2 (1984): 171-200. Print.
  57. McGann, Jerome J. "The "Cantos" of Ezra Pound, the Truth in Contradiction." Critical Inquiry 15.1 (1988): 1-25. Print.
  58. McNaughton, William. "A Note on Main Form in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 6 (1977): 147-52. Print.
  59. Mikriammos, Philippe. "Cantos, Traduction: Les Mésaventures De l'Original." Paideuma: A Journal Devoted to Ezra Pound Scholarship 13.3 (1984): 445-52. Print.
  60. Miller, Tyrus. "Pound's Economic Ideal: Silvio Gesell and the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.1-2 (1990): 169-80. Print.
  61. Moody, David A. "Directio Voluntatis: Pound's Economics in the Economy of the Cantos." Paideuma: Studies in American and British Modernist Poetry 32.1-3 (2003): 187-203. Print.
  62. Moody, David A. “‘They dug him up out of sepulture': Pound, Erigena and Fiorentino.” Paideuma:A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 241-7.
  63. Murray, David. “A Reply to John Lauber’s ‘Pound’s Cantos: a Fascist Epic.” Journal of American Studies 13.1 (1979): 109-113.
  64. Myers, Morgan. "Ezra Pound Me Fecit: Memorial Object and Autonomous Poem in the Cantos." Paideuma: Studies in American and British Modernist Poetry 35.3 (2006): 67-92. Print.
  65. Nadel, Ira B. "The Cantos of Ezra Pound...A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October - 22 December 1989." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 221-34. Print.
  66. North, Michael. “Towers and the Visual Map of Pound’s Cantos.” Contemporary Literature 27.1 (1986): 17-31. Print.
  67. Pearlman, Daniel D. "The Blue-Eyed Eel. Dame Fortune in Pound's Later Cantos." Agenda 9.4-10.1 (1971-1972): 60-71. Print.
  68. Peck, John. "Landscape and Ceremony in the later Cantos." Agenda 9.2-3 (1971): 26-69. Print.
  69. Péti, Miklós. "Usura Alone Not Understood? A Rhetorical Consideration of 'Usura' in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.3 (2001): 3-22. Print.
  70. Pevear, Richard. "Notes on the Cantos of Ezra Pound." The Hudson Review 25 (1973): 51-70. Print.
  71. Pryor, Sean. "Particularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos." Paideuma: Studies in American and British Modernist Poetry 36 (2007): 27-45. Print.
  72. Quinn, Bernetta. "The Moon-Goddess in Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 5.1 (1976): 61-2. Print.
  73. Rachewiltz, Mary de. "Translating the Cantos." Michigan Quarterly Review 26.3 (Summer 1987): 524-534. Print.
  74. Rainey, Lawrence S. "A Poem Including History: The Cantos of Ezra Pound." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 199-220. Print.
  75. Rosenow, C. "'High Civilization': The Role of Noh Drama in Ezra Pound's Cantos." Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 48.3 (2012): 227-44. Print.
  76. Rudolph, Donna C. "Formulas for Paradise in Six Cantos of Ezra Pound." Paideuma: A Journal Devoted to Ezra Pound Scholarship 20.1-2 (1991): 129-40. Print.
  77. Sawler, Trevor. "Vis Naturae: The Nature of Nature in Selected Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 28.2-3 (1999): 109-32. Print.
  78. Scott, Peter Dale. "Anger in Paradise: The Poetic Voicing of Disorder in Pound's Later Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.3 (1990): 47-63. Print.
  79. Scott, Peter Dale. "Pound in 'the Waste Land,' Eliot in the Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.3 (1990): 99-114. Print.
  80. Rosenthal, M.L. "The Structuring of Pound's Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 6 (1977): 3-11. Print.
  81. Sieburth, Richard. "The Design of The Cantos: an Introduction." Iowa Review 15.2  (1985): 12-33. Print.
  82. Sutton, Walter. "Coherence in Pound's Cantos and William James's Pluralistic Universe." Paideuma: A Journal Devoted to Ezra Pound Scholarship 15.1 (1986): 7-21. Print.
  83. Taylor, Richard. "Editing the Variorum Cantos: Process and Policy." Paideuma: A Journal Devoted to Ezra Pound Scholarship 31.1-3 (2002): 311-34. Print.
  84. Tryphonopoulos, Demetres P. "The Cantos as Palingenesis." Paideuma: A Journal Devoted to Ezra Pound Scholarship 18.1-2 (1989): 7-33. Print.
  85.  Tryphonopoulos, Demetres P. "'With Usura Hath no Man a House of Good Stone': An Interview with Leon Surette." English Studies in Canada 31 (2005): 273-91. Print.
  86. Witemeyer, Hugh. "Pound and the Cantos: 'Ply Over Ply'." Paideuma: A Journal Devoted to Ezra Pound Scholarship 8.2 (1979): 229-35. Print.
  87. Yee, Cordell. “Discourse on Ideogrammic Method: Epistemology and Pound’s Poetics.” American Literature 59.2(1987): 242-56.



 

 

ARTICLES IN COLLECTIONS

BOOK CHAPTERS AND SECTIONS

 

 

  1. Alexander, Michael. “On Rereading The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 68-74.
  2. Bacigalupo, Massimo. “‘Safe With My Lynxes’: Pound’s Figure in the Carpet.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 111-120.
  3. Bacigalupo, Massimo. “The Cantos. Introduction.” The Ezra Pound Encyclopedia. Eds. D. Tryphonopoulos and Stephen J. Adams. Westport, CT.: Greenwood Press, 2005. 24-25.
  4. Bagicalupo, Massimo. “The Cantos: Posthumous Cantos.The Ezra Pound Encyclopedia. Eds. D. Tryphonopoulos and Stephen J. Adams. Westport, CT.: Greenwood Press, 2005. 49-51.
  5. Baumann, Walter. “‘… and Elsie/Blackeyed Bitch’: Aviation Pioneers in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.
  6. Baumann, Walter. “‘Perennial War’ in The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 75-84.
  7. Baumann, Walter. “Ezra Pound and Magic. Old World Tricks in a New World Poem.”  Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 27-42.
  8. Baumann, Walter. “The German-Speaking World in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.
  9. Baumann, Walter. “The Odysseus Theme in Ezra Pound’s Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.
  10. Baumann, Walter. “Yeats and Ireland in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 191-210.
  11. Bell, Ian F. A., "Ezra Pound and the Materiality of the Fourth Dimension.” Science in Modern Poetry: New Directions. Eds. John Holmes and Bruce Clarke. Liverpool: Liverpool UP, 2012. 130-148. Print.
  12. Bernstein, Charles. “History and Textuality in Ezra Pound’s Cantos.” Ezra Pound and History. Ed. Marianne Korn. Orono: NPF, 1985. 15-22.
  13. Bunting, Basil. “Pound’s Cantos.” Basil Bunting on Poetry. Ed. Peter Makin. Baltimore: Johns Hopkins UP, 1999. 134-150.
  14. Bush, Ronald. “The Later Cantos.” The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge: Cambridge UP, 1999. 109-38. Print.
  15. Cook, Albert. “Rhythm and Person in The Cantos” New Approaches to Ezra Pound. Ed. E. Hesse. London: Faber, 1969. 349-364.
  16. Comens, Bruce. Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky. Tuscaloosa: U of Alabama Press, 1995. [2. Pound's War: The Great War and the Enemy; Image and Millennium; The Cantos: History and Apocalypse; The Cantos: Contradictions of War; Paradise Postponed; Afterwords and Deferral].

  17. Dasenbrock, Reed Way. “Why the Commedia Is Not the Model for The Cantos and What Is.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 81-92.
  18. Dekker, George. “Myth and Metamorphosis: Two Aspects of Myth in The Cantos.New Approaches to Ezra Pound. Ed. E. Hesse. London: Faber, 1969. 280-302.
  19. Dekker, George. “Time and Tradition in The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 90-105.
  20. Gelpi, Albert. “Between Kung and Eleusis.” A Coherent Splendor. The American Poetic renaissance, 1910-1950. Cambridge: Cambridge UP, 1990. 169-252.
  21. Gildersleeve, Britton. “‘Enigma’ at the Heart of Paradise: Buddhism, Kuanon, and the Feminine Ideogram in The Cantos.”  Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 193-212.
  22. Halperen, Max. “How to Read a Canto.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 7-20.
  23. Henderson, Archie. “New Appendix: References to The Cantos.” “I Cease Not to Yowl” Reannotated. New Notes on the Pound/Agresti Correspondence. 2nd ed. Houston: 2009. 587-598.
  24. Hughes, Robert. "Some observations on Music in The Cantos." Pound Ezra. Le Testament. 1923 Facsimile Edition.  Eds. Margaret Fisher and Robert Hughes.  Emeryville: Second Evening Publishing, 2011. 204-211. Print.
  25. Juhasz, Suzanne. "Metaphor in The Cantos of Ezra Pound." Metaphor and the Poetry of Williams, Pound, and Stevens. Cranbury: Associated University Presses, 1974. 75-131. Print. 
  26. Kayman Michael A. “‘And…’ Reading The Cantos.” The Modernism of Ezra Pound. The Science of Poetry. London: Macmillan, 1986. 110-137. Print.
  27. Kenner, H. Leucothea’s Bikini: Mimetic Homage The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 21-31
  28. Kenner, Hugh. “Inventing Confucius.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 165-180.
  29. Kenner, Hugh. The Poetry of Ezra Pound. London: Faber, 1951. 185-306.
  30. Knapp, James, F. [“The Cantos.”] Ezra Pound. Boston: G.K. Hall, 1979. 118-162.
  31. Liebregts, Peter. “The Cantos and Neoplatonism: General Introduction.” Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. 97-115.
  32. Makin, Peter. “History and Money, Fact and Hysteria.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 93-110.
  33. Makin, Peter. Ideogram, “Right Naming” and the Authoritarian Streak. Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 120-142.
  34. Mancuso, Girolamo. “The Ideogrammic Method in The Cantos.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 65-80.
  35. Marsh, Alec. Ezra Pound. London: Reaktion, 2011. 86-98.
  36. Moody, David A. “The Cantos of Ezra Pound. ‘To Build Light.’” Platonism and the English Imagination. Ed. Anna Baldwin and Sarah Hutton. Cambridge: Cambridge UP, 1994. 308-18. Print.
  37. Morrison, Paul. [“The Cantos.”] The Poetics of Fascism. Ezra Pound, T.S. Eliot and Paul de Man. Oxford: Oxford UP, 1996. 16-59.
  38. Mottram, Eric. “Ezra Pound in His Time.” Ezra Pound and America. Ed. J. Kaye. London: Macmillan, 1992. 93-113.
  39. Perloff, Marjorie. 1981. “‘No Edges, No Convexities’: Ezra Pound and the Circle of Fragments.” The Poetics of Indeterminacy. Rimbaud to Cage. Evanston: Northwestern UP, 1999. 155-199.
  40. Pestell, Alex. "'INCORPORATE/& in One Body': Ezra Pound's Selected Cantos.” Selected Poems: From Modernism to Now. Eds. Hélène Aji and Jennifer Kilgore-Caradec. Newcastle upon Tyne: Cambridge Scholars, 2012. 41-52. Print.
  41. Pound, Ezra. [Plan of The Cantos]. Dante e Pound. Ed. Maria Luisa Ardizzone. Ravenna: Longo Editore, 1995. 229-230.
  42. Preda, Roxana. “Between Cubism and Postmodernism. The Cantos as Collage.” Ezra Pound’s (Post)Modern Poetics and Politics. New York: Peter Lang, 2001. 117-138.
  43. Preda, Roxana. “The Bank as Figure: an Archaeology of the Historical Discourse in The Cantos.” Ezra Pound’s (Post)Modern Poetics and Politics. New York: Peter Lang, 2001. 249-267.
  44. Qian, Zhaoming. [“Dao in The Cantos.”] The Modernist Response to Chinese Art. Pound, Moore, Stevens. Charlottesville: University of Virginia Press, 2003. 79-80.
  45. Rehder, Robert. "The End of the Cantos.” Ezra Pound, Ends and Beginnings: Essays and Poems. Eds. John Gery and William Pratt. New York: AMS, 2011.
  46. Rehder, Robert. The Cantos: Language of Sensation and Metaphors of Identity.  Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 210-220. Print.
  47. Robinson, Peter. “Ezra Pound and Italian Art.” Pound’s Artists. Ezra Pound and the Visual Arts in London, Paris and Italy. London: Tate Gallery Publications, 1985. 121-176.
  48. Taylor, Richard Dean. “Reconstructing Ezra Pound’s Cantos: Variorum edition – Manuscript Archive – Reading Text.” Ezra Pound and America. Ed. J. Kaye. London: Macmillan, 1992. 132-148.
  49. Taylor, Richard. “Towards a Reading Text of The Cantos. Ezra Pound and Poetic Influence. Ed. Helen Dennis. Amsterdam: Rodopi, 2000. 200-211.
  50. Taylor, Richard D. “The History and State of the Texts.” A Poem Including History, The Text of The Cantos. Ed. Lawrence Rainey. Ann Arbor, MI: University of Michigan Press, 1997. 235-265. Revised in The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge, Cambridge UP, 1999. 161-187.
  51. Taylor, Richard D. “The Text of The Cantos.” The Cambridge Companion to Ezra Pound. Ed. Ira B. Nadel. Cambridge: Cambridge UP, 1999. 161-187.
  52. Taylor, Richard. “Towards A Textual Biography of The Cantos.” Modernist Writers and the Market Place. Ed. Warren Chernaik. London: Macmillan, 1996. 223-257.
  53. Ten Eyck, David. "Evaluating the Status of Ezra Pound's Selected Cantos. Selected Poems: From Modernism to Now. Eds. Hélène Aji and Jennifer Kilgore-Caradec. Newcastle upon Tyne: Cambridge Scholars, 2012. 23-40. Print.  
  54. Tryphonopoulos, Demetres. “Pound Reading Dante ‘Reading’ Homer: The Survival of the Palingenetic Tradition in Ezra Pound’s The Cantos.” Dante e Pound. Ed. Maria Luisa Ardizzone. Ravenna: Longo Editore, 1995. 87-100.

 

 

Cantos in periodicals