Article Index

 

 

 

BOOK CHAPTERS AND SECTIONS

 

 

 

  1. Bacigalupo, Massimo. “The Cantos. Introduction.” The Ezra Pound Encyclopedia. Eds. D. Tryphonopoulos and Stephen J. Adams. Westport, CT.: Greenwood Press, 2005. 24-25.

  2. Bagicalupo, Massimo. “The Cantos: Posthumous Cantos.The Ezra Pound Encyclopedia. Eds. D. Tryphonopoulos and Stephen J. Adams. Westport, CT.: Greenwood Press, 2005. 49-51.

  3. Bell, Ian F. A., "Ezra Pound and the Materiality of the Fourth Dimension.” Science in Modern Poetry: New Directions. Eds. John Holmes and Bruce Clarke. Liverpool: Liverpool UP, 2012. 130-148. Print.

  4. Bunting, Basil. “Pound’s Cantos.” Basil Bunting on Poetry. Ed. Peter Makin. Baltimore: Johns Hopkins UP, 1999. 134-150.

  5. Cook, Albert. “Rhythm and Person in The Cantos” New Approaches to Ezra Pound. Ed. E. Hesse. London: Faber, 1969. 349-364.

  6. Comens, Bruce. Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky. Tuscaloosa: U of Alabama Press, 1995. [2. Pound's War: The Great War and the Enemy; Image and Millennium; The Cantos: History and Apocalypse; The Cantos: Contradictions of War; Paradise Postponed; Afterwords and Deferral].

  7. Gelpi, Albert. “Between Kung and Eleusis.” A Coherent Splendor. The American Poetic renaissance, 1910-1950. Cambridge: Cambridge UP, 1990. 169-252.

  8. Henderson, Archie. “New Appendix: References to The Cantos.” “I Cease Not to Yowl” Reannotated. New Notes on the Pound/Agresti Correspondence. 2nd ed. Houston: 2009. 587-598.

  9. Hughes, Robert. "Some observations on Music in The Cantos." Pound Ezra. Le Testament. 1923 Facsimile Edition.  Eds. Margaret Fisher and Robert Hughes.  Emeryville: Second Evening Publishing, 2011. 204-211. Print.

  10. Kayman Michael A. “‘And…’ Reading The Cantos.” The Modernism of Ezra Pound. The Science of Poetry. London: Macmillan, 1986. 110-137. Print.

  11. Kenner, Hugh. The Poetry of Ezra Pound. London: Faber, 1951. 185-306.

  12. Kim, Joo-Hwan. Out of the “Western Box.” Towards a Multicultural Poetics in the Poetry of Ezra Pound and Charles Olson. New York: Peter Lang, 2003. 60-72; 91-120; 161-90.

  13. Knapp, James, F. [“The Cantos.”] Ezra Pound. Boston: G.K. Hall, 1979. 118-162. 

  14. Jacob Korg, “The Cantos.” Ritual and Experiment in Modern Poetry. Basingstoke: Palgrave Macmillan, 1995. 85-134.

  15. Liebregts, Peter. “The Cantos and Neoplatonism: General Introduction.” Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. 97-115.

  16. Marsh, Alec. Ezra Pound. London: Reaktion, 2011. 86-98.

  17. Morrison, Paul. [“The Cantos.”] The Poetics of Fascism. Ezra Pound, T.S. Eliot and Paul de Man. Oxford: Oxford UP, 1996. 16-59.

  18. Mottram, Eric. “Ezra Pound in His Time.” Ezra Pound and America. Ed. J. Kaye. London: Macmillan, 1992. 93-113.

  19. Pound, Ezra. [Plan of The Cantos]. Dante e Pound. Ed. Maria Luisa Ardizzone. Ravenna: Longo Editore, 1995. 229-230.

  20. Preda, Roxana. “Between Cubism and Postmodernism. The Cantos as Collage.” Ezra Pound’s (Post)Modern Poetics and Politics. New York: Peter Lang, 2001. 117-138.

  21. Preda, Roxana. “The Bank as Figure: an Archaeology of the Historical Discourse in The Cantos.” Ezra Pound’s (Post)Modern Poetics and Politics. New York: Peter Lang, 2001. 249-267.

  22. Qian, Zhaoming. [“Dao in The Cantos.”] The Modernist Response to Chinese Art. Pound, Moore, Stevens. Charlottesville: University of Virginia Press, 2003. 79-80.

  23. Robinson, Peter. “Ezra Pound and Italian Art.” Pound’s Artists. Ezra Pound and the Visual Arts in London, Paris and Italy. London: Tate Gallery Publications, 1985. 121-176.

  24. Sicari, Stephen. Pound’s Epic Ambition. Dante and the Modern World. New York: SUNY Press, 1991. 

 

 

 

 

Three Cantos I-III

Cantos in periodicals

A Draft of XXX Cantos

Eleven New Cantos XXXI-XLI

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