1. Taylor, Richard, D. Variorum Edition of Three Cantos. A Prototype. Bayreuth: Boomerang Press, 1991.
  2. Bush, Ronald. The Genesis of Ezra Pound's Cantos. Princeton: Princeton UP, 1992. 



  1. Fletcher, Angus. "Ezra Pound's Egypt and the Origin of the 'Cantos.'" Twentieth Century Literature 48.1 (Spring 2002): 1-21.
  2. Foster, John L. "Pound's Revision of Cantos I-III." Modern Philology 63.3 (1966): 236-245. Print.
  3. Giesenkirchen, Michaela. "'But Sordello, and My Sordello?': Pound and Browning's Epic." Modernism/Modernity 8.4 (2001): 623-642. Project Muse.  Web. 4 January 2015.





  1. Bacigalupo, Massimo. "Lineaments of Space: From Hugh Selwyn Mauberley to the Early Cantos." The Forméd Trace. The Later Poetry of Ezra Pound. New York: Columbia UP, 1980. Print. 5-51.
  2. Beasley Rebecca. “A Visual Poetics? From the first Cantos to Mauberley.” Ezra Pound and the Visual Culture of Modernism. Cambridge: Cambridge UP, 2007. 112-153. [Section: 112-144]. Print.
  3. Bornstein, George. "Pound's Parleyings with Robert Browning." Ezra Pound among the Poets. Ed. George Bornstein. Chicago. U of Chicago P, 1985. 106-127.
  4. Bush, Ron. “The Cantos. The Ur-Cantos.” The Ezra Pound Encyclopedia. Eds. D. Tryphonopoulos and Stephen J. Adams. Westport, CT.: Greenwood Press, 2005. 26. Print.
  5. Carpenter, Humphrey. A Serious Character. The Life of Ezra Pound. New York: Delta, 1988[Sections: 287-294; 353-354]. Print.
  6. De Rachewiltz, Mary, Moody David A., and Joanna Moody eds. Ezra Pound to his Parents. Letters 1895-1929. Oxford UP, 2010. Print.
  7. Dekker, George. "The Cancelled Cantos." In Sailing after Knowledge. The Cantos of Ezra Pound. London: Routledge & Kegan Paul, 1963. 149-154.
  8. Dennis, Helen. A New Approach to the Poetry of Ezra Pound Through the Medieval Provençal Aspect. Lewiston: The Edwin Mellen Pres, 1996. 246-261.
  9. Eliot, T. S. "A Note on Ezra Pound." (To-Day, 4 Sept 1918). The Complete Prose of T. S. Eliot: The Critical Edition. Eds. Jewel Spears Brooker and Ronald Suchard. Vol. 1. Baltimore: JHUP, 2014. 749-753. Project Muse. Web. 21 March 2015. 
  10. Flory, Wendy. Ezra Pound and The Cantos: A Record of Struggle. New Haven: Yale UP, 1980. [Section: 102-105]. Print.
  11. Liebregts, Peter. Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. [Section:97-131]. Print.
  12. Longenbach, James. "Ghosts Patched with Histories."  Stone Cottage: Pound, Yeats and Modernism. Oxford: Oxford UP, 1988. 222-250. Print.

  13. Longenbach, James. "Three Cantos and the War Against Philology." Modernist Poetics of History. Pound, Eliot, and the Sense of the Past. Princeton: Princeton UP, 1987. 96-131. Print.

  14. Makin, Peter. "Ur-Cantos." In Pound's Cantos. London: Allen & Unwin, 1985. 49-54.
  15. Moody, David A. “'Three Cantos’: finding his form.” Ezra Pound: Poet. A Portrait of the Man and His Work. I: The Young Genius 1885-1920. Oxford & New York: Oxford UP, 2007. 306-315. Print.
  16. Ricciardi, Caterina. "Il Rinascimento dei Three Cantos.EikonesEzra Pound e il Rinascimento. Napoli: Liguori Editore, 1991. 23-64.
  17. Robinson, Peter. “Ezra Pound and Italian Art.” Pound’s Artists. Ezra Pound and the Visual Arts in London, Paris and Italy. London: Tate Gallery Publications, 1985. 121-176. [Section: 124-130.] Print.
  18. Sieburth, Richard. [Notes to Three Cantos (Lustra version)]. Ezra Pound Poems & Translations. New York: Library of America, 2003. 1284-93. 
  19. Surette, L. A Light from Eleusis. A Study of Ezra Pound’s Cantos. Oxford: Oxford UP, 1979. [Section: 8-15]. Print.
  20. Taylor, Richard D. “Reconstructing Ezra Pound's Cantos, Variorum Edition – Manuscript Archive – Reading Text.” Ezra Pound and America. Ed. J. Kaye. London: Macmillan, 1992. 132-148.
  21. Wilhelm, J. J. “The Quest for the Cantos (July 1915-December 1916).” Ezra Pound in London and Paris. 1908-1925. University Park: The Pennsylvania State UP, 1990. 178-192. Print.