rsz pisa cage

LXXIV LXXV LXXVI LXXVII LXXVIII
LXXIX
LXXX LXXXI LXXXII LXXXIII LXXXIV

 


 

BOOKS

  1. MacLeish, Archibald. Poetry and Opinion: The Pisan Cantos of Ezra Pound. A Dialog on the Role of Poetry. Evanston: University of Illinois Press, 1950.
  2. Contino, Vittorugo. Ezra Pound in Italy,  from the Pisan Cantos. Spots and Dots. Venezia: Ivancich, 1970.
  3. Wilhelm, James J. The Later Cantos of Ezra Pound. New York: Walker, 1977.
  4. Bacigalupo, Massimo. Formed Trace. The Later Poetry of Ezra Pound. New York: Columbia University Press, 1980.
  5. Woodward, Anthony. Ezra Pound and the Pisan Cantos. Lawbook Co of Australasia, 1980.
  6. Shioji, Ursula. Ezra Pound’s Pisan Cantos and the Noh. Mainzer Studien zur Amerikanistik. Bd. 39, 1997.
  7. Pound, Ezra. The Pisan Cantos. Annotated and with an introduction by Richard Sieburth. New York: New Directions, 2003.
  8. Farahbakhsh, Alireza and Zeinab Heidary Moghaddam. Dominant Themes in Ezra Pound’s 1930s and 1940s Cantos (Cantos XXXI-LXXXIV). Lambert Academic Publishing, 2010.

 

ARTICLES IN JOURNALS

  1. Ackerman, Ondrea E. "The Periplum of the Pisan Cantos." Paideuma: Modern and Contemporary Poetry and Poetics 38 (2011): 89-118. Print.
  2. Bacigalupo, M. "Pound's Pisan Cantos in Process." Paideuma: A Journal Devoted to Ezra Pound Scholarship 27.2-3 (1998): 93-106. Print.
  3. Bacigalupo, M. “The Myth of the Revised Opening of the Pisan Cantos.Notes & Queries 54.2 (2007): 169-71. Print.
  4. Baumann, Walter. "Gerhart-with the Standebuch of Sachs in Yr/Luggage." Paideuma: A Journal Devoted to Ezra Pound Scholarship 10.3 (1981): 589-94. Print.
  5. Bishop, P. E. “’And Will the World Take Up Its Course Again?”’: Paranoia and Experience in the Pisan Cantos.” Texas Studies in Literature and Language 31.4 (1989): 536-53. (LXXIV)
  6. Brewer, Jonathan. "Practice, 'Taught and the Not Taught,' in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 23.2-3 (1994): 141-56. Print.
  7.  Bush Ronald and David Ten Eyck. "A Critical Edition of Ezra Pound's Pisan Cantos: Problems and Solutions." Textual Cultures. Texts, Contexts, Interpretation. 8.2 (2013): 121-140. Print.  
  8. Bush, Ronald. "Art Versus the Descent of the Iconoclasts: Cultural Memory in Ezra Pound's Pisan Cantos." Modernism/Modernity 14.1 (2007): 71-95. Print.
  9. Bush, Ronald. "La Filosofica Famiglia: Cavalcanti, Avicenna, and the 'Form' of Ezra Pound's Pisan Cantos." Textual Practice 24.4 (2010): 669-705. Print.
  10. Bush, Ronald. "Modernism, Fascism, and the Composition of Ezra Pound's Pisan Cantos." Modernism/Modernity 2.3 (1995): 69-87. Print.
  11. Bush, Ronald. "Pound, Emerson, and Thoreau: The Pisan Cantos and the Politics of American Pastoral." Paideuma: Studies in American and British Modernist Poetry 34.2-3 (2005): 271-92. Print.
  12. Bush, Ronald. “Towards Pisa: Ezra Pound’s Roman ‘Emperors’.” Rivista di Letterature d'America, XXIII.98-99 (2003) [2005]: 135-59.
  13. Bush, Ronald. “The Expatriate in Extremis: Caterina Sforza, Fascism, and Ezra Pound’s Pisan Cantos.” Rivista di Letterature d'America XXV.108-9 (2005) [2007]: 27-43.
  14. Bush, Ronald. “Poetic Metamorphosis: Ezra Pound’s Pisan Cantos and Prison Poetry.” Rivista di Letterature d'America XXIX.126-7 (2009) [2010]: 37-60.
  15. Bush, Ronald. “Between Religion and Science: Ezra Pound, Scotus Erigena and the Beginnings of a Twentieth-Century Paradise.” Rivista di Letterature d'America. XXXII.141/42 (2012): 95-124. Print.
  16. Bush, Ronald. “Science, Epistemology, and Literature in Ezra Pound’s Objectivist Poetics (With a Glance at The New Physics, Louis Zukofsky, Aristotle, Neural Network Theory, and Sir Philip Sidney).” Literary Imagination 4.2 (2002): 191-210.
  17. Bush, Ronald. “Towards Pisa: More from the Archives about Pound's Italian Cantos,” Agenda 34.3/4 (1996/7): 89-124. Print.
  18. Coyle, Michael. "The Implications of Inclusion: Historical Narrative in Pound's Canto LXXXVIII." ELH 54.1 (1987): 215-30. Print.
  19. Dennis, Helen M. "The Elusinian Mysteries as an Organising Principle in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 10.2 (1981): 273-82. Print.
  20. Farahbakhsh, Alireza. "Paradise in the Inferno of Italian Rubble: Pessimism and Optimism in Ezra Pound's Pisan Cantos." AUMLA: Journal of the Australasian Universities Language and Literature Association 115 (2011): 51-67. Print.
  21. Flory, W.  "The 'Tre Donne' of the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 5.1 (1976): 45-52. Print.
  22. George, Anita. "The Pisan Mysteries: Sex, Death and Rebirth in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 139-60. Print.
  23. Gery, John. “‘A Certain Concordance of Size’: Pound’s Venice in the Pisan Cantos. Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 278-299. Print.
  24. Hesse, E. "A Redefinition of the Problem of Mo in Canto LXXIV/430 in the Light of its Source." Paideuma: A Journal Devoted to Ezra Pound Scholarship 8.3 (1979): 407-8. Print.
  25. Hutchins, Patricia. "Ezra Pound's Pisa." The Southern Review (New Series) 2.1 (January 1966): 77-93.
  26. Kimpel, Ben D., and T. C. Duncan Eaves. “‘Major Form’ in Pound's ‘Cantos’." The Iowa Review 15.2 (1985): (LXXIV 56-58).
  27. King, Michael. "Ezra Pound at Pisa: An Interview with John L. Steele." Texas Quarterly 21 (1978/4): 48-61.
  28. Larkin, Greg. "From Noman to Everyman: Chinese Characters in the Pisan Cantos." Tamkang Review (Taipei) 11.3 (Spring 1981): 307-315.
  29. Litz, Walton. “‘Remember that I have remembered:” Traces of the Past in The Pisan Cantos.” Yale Review 73.3 (1986): 357-67. Print.
  30. Lowe, James. "Pound's Rendering of Abstraction in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 18.3 (1989): 137-46. Print.
  31. McDowell, Colin. "'The Toys...at Auxerre': Canto 77." Paideuma: A Journal Devoted to Ezra Pound Scholarship 12.1 (1983): 21-30. Print.
  32. McNaughton, William. "New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahn." Paideuma: A Journal Devoted to Ezra Pound Scholarship 16.3 (1987): 23-51. Print.
  33. Moody, A. D "The Pisan Cantos: Making Cosmos in the Wreckage of Europe." Paideuma: A Journal Devoted to Ezra Pound Scholarship 11.1 (1982): 135-46. Print.
  34. Oakes, L. An Explication of "Canto LXXV" by Ezra Pound. Wisconsin Studies in Contemporary Literature 5 2 (Summer 1964): 105-109. Web. 13 Feb.2014.

  35. Pagnattaro, Marisa Anne. "The 'Unwobbling Pivot': Uncertainty and Process in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 24.1 (1995): 25-38. Print.
  36. Parker, R. “Canto 75 vs “A”- 24. The Golden Handcuffs Review I.14 (2011): 270-285. Web. 11 Oct. 2014.

  37. Perloff, M. “Pound/Stevens: Whose Era?” New Literary History 13.3 (1982): 485-514. Print.
  38. Preda, Roxana. Of Birds, Composers, and Poets. Ezra Pound’s Memoir of Gerhart Münch in Canto LXXV. Paideuma 42 (2015): 141-170.
  39. Rizzardi, Alfredo. "The Mask of Experience. A Chapter upon Ezra Pound's Pisan Canto." Studi Urbinati di Storia, Filosofia e Letteratura 35 (1960): 135-59. Print.
  40. Schuldiner, Michael. "Pound's Progress: The Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 4.1 (1975): 71-81. Print.
  41. Tao, N. "'the Law of Discourse': Confucian Texts and Ideograms in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.1-2 (2001): 21-68. Print.
  42. Wacker, Norman. "The Subject Repositioned/The Subject Repossessed: Authority and the Ethos of Performance in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 81-100. Print. 

 

 

 

ARTICLES IN COLLECTIONS

BOOK CHAPTERS AND SECTIONS

 

  1. Baumann, Walter. “‘… and with such French Politeness’: The French and France in The Pisan Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 223-234. Print.
  2. Baumann, Walter. "-not of one bird but of many: Pound's Janequin." Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 99-112. Print.
  3. Bush, Ronald. "'Quiet, not scornful'?: the Composition of The Pisan Cantos." A Poem Containing History: Textual Studies in The Cantos. Ed. Larence Rainey. Ann Arbor: University of Michigan Press, 1997. 169-212. Print.
  4. Bush, Ronald. "Excavating the Ideological Faultlines of Modernism: Editing Ezra Pound's Cantos.” Representing Modernist Texts: Editing as Interpretation. Ed. George Bornstein. Ann Arbor: U of Michigan P, 1991. 67-98. Print.
  5. Bush, Ron. “Confucius erased. The Missing Ideograms in The Pisan Cantos.” Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 163-192. Print.
  6. Bush, Ronald. “The Pisan Cantos.” The Oxford Encyclopedia of American Literature. Ed. Jay Parini. Vol. III. New York: Oxford University Press, 2004. 415-18. Print.
  7. Bush, Ronald. “The Pisan Cantos.” The Ezra Pound Encyclopedia. Eds. Stephen J. Adams and Demetres P. Tryphonopoulos. New York: Greenwood Press, 2005. 41-43. Print.
  8. Bush, Ronald. “‘Young Willows’ in the Pisan Cantos: ‘Light as the Branch of Kuanon.’” Modernism and the Orient. Ed. Zhaoming Qian. New Orleans: UNO Press, 2012. 185-213. Print.
  9. Bush, Ronald. “Late Cantos LXXII-CXVII.” The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge: Cambridge UP, 1999. 109-138. Print.
  10. Bush, Ronald. “Pisa.” Ezra Pound in Context. Ed. Ira Nadel. Cambridge: Cambridge UP. 261-73. Print.
  11. Bush, Ronald. “Ezra Pound’s Fascist ‘Europa’: Toward the Pisan Cantos.” Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent. Eds. Sascha Bru et al. Berlin: De Gruyter, 2009. 210-28. Print.
  12. Byron, Mark. “A Defining Moment in Ezra Pound’s Cantos: Musical Scores and Literary Texts.” Literature and Music. Ed. Michael J. Meyer. Amsterdam: Rodopi, 2002. 157-182. Print.
  13. Carpenter, Humphrey. A Serious Character. The Life of Ezra Pound. New York: Delta, 1988. [Sections: 670-680; 687-689; 787-792; 798-799; 813-815.] Print.
  14. Clinton, Alan Ramon. Mechanical Occult: Automatism, Modernism, and the Specter of Politics. Peter Lang, 2004 [4. Two Cages: Second Thoughts on Pisa, 113-138].
  15. Cooper, John Xiros. “Music as Symbol and Structure in Pound’s Pisan Cantos and Eliot’s Four Quartets.” In Ezra Pound and Europe, edited by Richard Taylor and Claus Melchior. Amsterdam: Rodopi, 1993.
  16. Coyle, Michael. “Unpacking Münch’s Satchel: Musical Notation and the Defiance of Pisan Cantos.Ezra Pound, Popular Genres and the Discourse of Culture. University Park: The Pennsylvania State UP, 1995. 149-182. Print.
  17. Dennis, Helen. Five Structural Principles in The Pisan Cantos. In A New Approach to the Poetry of Ezra Pound Through the Medieval Provençal Aspect. Lewiston: The Edwin Mellen Pres, 1996. 375-447.
  18. Flory, Wendy. Ezra Pound and The Cantos: A Record of Struggle. New Haven: Yale UP, 1980. [Section: 178-231.] Print.
  19. Hatlen, Burton. “Pound’s Pisan Cantos and the Origins of Projective Verse.” Ezra Pound and Poetic Influence. Ed. Helen Dennis. Amsterdam: Rodopi, 2000. 130-154. Print.
  20. Kenner, Hugh. 1972. The Pound Era. London: Faber, 1975. [Section: 474-495.] Print.
  21. Lan, Feng. Ezra Pound and Confucianism. Remaking Humanism in the Face of Modernity. Toronto: U. of Toronto Press, 2005. Print.
  22. Liebregts, Peter. “The Pisan Cantos. (LXXIV-LXXXIV).” Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. 249-290. Print.
  23. Madge, Charles. "The Ellipse in the Pisan Cantos." Ezra Pound: A Collection of Essays to be Presented to Ezra Pound on His 65th Birthday. Ed. Peter Russell. London and New York: Neville, 1950. 119-133. Print.
  24. Moody, David A. “The Pisan Cantos of Ezra Pound.” A Companion to Twentieth-century Poetry in English. Ed. Neil Roberts. Oxford: Blackwell, 2001. 469-80. Print.
  25. Nicholls, Peter. Ezra Pound: Politics, Economics and Writing. A Study of The Cantos. London: Macmillan, 1984. 161-181. Print.
  26. Rabaté, J. M. Language, Sexuality and Ideology in Ezra Pound’s Cantos. London: Macmillan, 1986. 141-182.
  27. Surette, L. A Light from Eleusis. A Study of Ezra Pound’s Cantos. Oxford: Oxford UP, 1979. 173-223.
  28. Welch, Milton L. “‘Till Was Hung Yesterday’: Louis Till as Lynching Topos in the Pisan Cantos.” Ezra Pound and Education. Eds. Steven Yao and Michael Coyle. Orono: The National Poetry Foundation, 2012. 163-182.
  29. Faherty, Michael. “Pound’s Lute: The West African Voice of the Gesere in The Pisan Cantos.Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 221-233. Print.
  30. Gery, John. “‘A Certain Concordance of Size’: Pound’s Venice in the Pisan Cantos. Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 278-299. Print.
  31. Kiely, Kevin. The Poet Unmasked in The Pisan Cantos. Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 347-356. Print.
  32. Selby, Nick. “Memory, Forgetting and American Poetics in Ezra Pound's The Pisan Cantos.'” Memory, History and Critique. Cambridge: MIT Press. 120-140. CD ROM

 

 

DIGITAL RESOURCES

Preda, Roxana, prod. Ezra Pound Canto LXXV. YouTube, 2012. Video

 

 

 

A Draft of XXX Cantos

Cantos in periodicals