XXX – REFERENCES

 

venus and mars botticelli national gallery 

WORKS CITED

  1. Bacigalupo, Massimo. "'And as for Text We  Have Taken It...': Retranslating Ezra Pound's Renaissance Cantos." Lingue e Linguaggi14 (2015): 121-135. Free online and here.
  2. Bacigalupo, Massimo. “Annotazioni: XXX.” Ezra Pound XXX Cantos. Parma: Ugo Guanda, 2012. 352.
  3. Bornstein, George. "The Book as Artefact: Historicizing Ezra Pound's First Thirty Cantos."The Book as Artefact: Text and Border. Eds. Anne Mette Hansen, et al. Amsterdam, New York: Rodopi, 2005. 151-164. Also in Variants: The Journal of the European Society for Textual Scholarship4 (2005): 151-164. 
  4. Camões Luís Vas de. The Lusiad of Camoes translated into English Spencerian Verse. Trans. William FFrench Duff. Philadelphia: Lippincott, 1880. archive.org. The Internet Archive, n.d. Web. 2 August 2015.
  5. D’Elia, Anthony F. Pagan Virtue in a Christian World: Sigismondo Malatesta and the Italian Renaissance. Cambridge, MA: Harvard University Press, 2016.
  6. Derdeyn, LeeAnn and Tim Redman. “Canto 30.” Readings in The Cantos. Ed. Richard Parker. Clemson: Clemson UP, 2018. 249-62. 
  7. Homer. Odyssey. Greek text with an English translation by A. T. Murray, Cambridge Mass. Harvard UP, 1919. perseus.tufts.edu, n.d.
  8. Liebregts, Peter. Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004.
  9. Marx, Moses. “Gershom (Hieronymus) Soncino’s Wanderyears in Italy, 1498—1527. Exemplar judaicae vitae.” Hebrew Union College Annual11 (1936): 427-501. 
  10. Plotinus. The Enneads. Tr. Stephen McKenna. London: Faber, 1917-1930.Internet Archive
  11. Pound, Ezra. “Where Is American Culture?” Nation, CXXVI. 3276 (18 Apr. 1928) [443]-444. P&P V: 28-29.
  12. Taylor, Thomas. “The Eleusinian and Bacchic Mysteries.” Section I. Paideuma 7.1-2 (Spring-Fall 1978): 155-75.
  13. Terrell, Carroll F. “Mag-Tsze, Thomas Taylor, and Madam YΛΗ.” Paideuma 7.1-2 (Spring-Fall 1978): 141-54. 

 

DIGITAL RESOURCES

  1. “Hephaistos Loves.” Theoi.com.
  2. Preda, Roxana. Online Companion to the Cantos of Ezra Pound. Three Cantos II: nn.39-42; III: n. 23.

 

ILLUSTRATIONS

  1. Anon. Diana of Versailles. Roman marble, Istcentury AD. Paris: Louvre. 
  2. Anon. Portrait of Cesare Borgia. [Copy Bartolomeo Veneto]. ca 1500. Rome: Palazzo Venezia. Wikipedia.
  3. Botticelli, Sandro. Venus and Mars. Tempera and oil on poplar, ca 1485. London: National Gallery.
  4. Conte, Pierre Charles. Le Couronnement d’Ines de Castro. 1854. Musée de Lyon Wikipedia.
  5. dell’Altissimo, Cristofano. Portrait of Alexander VI. Florence: Uffizi. 
  6. Dossi, Dosso. Portrait of Lucrezia Borgia. Oil on canvas, ca. 1510. National Gallery of Victoria.
  7. Titian. Portrait of Alfonso d’Este. Oil on canvas, 1530-34. Toulouse: Foundation Bemberg. Wikipedia.

 

Cantos in periodicals

Three Cantos (Ur-Cantos)

A Draft of XXX Cantos

A Draft of XVI Cantos

A Draft of the Cantos 17-27

The Fifth Decad

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Cantos LII - LXXI

confucius adams 2